From: $6.00
The latest upcoming film directors showing work directly to New York audiences
NewFilmmakers celebrates the American Election with AND THE WINNER IS...
The latest upcoming film directors showing work directly to New York audiences
About the seller:
Anthology Film Archives evolved from roots and visions that go back to the early Sixties, when Jonas Mekas, the director of the Film-Makers’ Cinematheque, a showcase for avant-garde films, dreamed of establishing a permanent home where the growing number of new independent/avant-garde films could be shown on a regular basis.This dream became a reality in 1969 when Jerome Hill, P. Adams Sitney, Peter Kubelka, Stan Brakhage, and Jonas Mekas drew up plans to create a museum dedicated to the vision of the art of cinema as guided by the avant-garde sensibility. A Film Selection committee — James Broughton, Ken Kelman, Peter Kubelka, Jonas Mekas and P. Adams Sitney — was formed to establish a definitive collection of films (The Essential Cinema Repertory) and form the structure of the new institution.
Anthology Film Archives opened on November 30, 1970 at Joseph Papp’s Public Theater. Jerome Hill was its sponsor. After Jerome Hill’s death, in 1974 it relocated to 80 Wooster Street. Pressed by the need for more adequate space, it acquired in 1979 Manhattan’s Second Avenue Courthouse building. Under the guidance of the architects Raimund Abraham and Kevin Bone, and at a cost of $1,450,000, the building was adapted to house two motion picture theaters, a reference library, a film preservation department, offices, and a gallery.
At the Courthouse, Anthology has found an ideal home as a chamber museum, dedicated to the preservation, study and exhibition of independent and avant-garde film. It is the first museum devoted to film as an art form, committed to the guiding principle that a great film must be seen many times, that the film print must be the best possible, and that the viewing conditions must be optimal.More activities by this seller:
From: $6.00
The latest upcoming film directors showing work directly to New York audiences
From: $6.00
The latest upcoming film directors showing work directly to New York audiences
Detailed description:
6:00PM NEWFILMMAKERS SPECIAL PROGRAM
- Third World Newsreel (TWN) is an alternative media arts organization that fosters the creation, appreciation and dissemination of independent film and video by and about people of color and social justice issues. It supports the innovative work of diverse forms and genres made by artists who are intimately connected to their subjects through common bonds of ethnic/cultural heritage, class position, gender, sexual orientation and political identification. TWN promotes the self-representation of traditionally marginalized groups as well as the negotiated representation of those groups by artists who work in solidarity with them. For more information, please visit www.twn.org.
7:00PM NEWFILMMAKERS SHORT FILM PROGRAM
- Paul Burke LAST THOUGHTS (2008, 4 Minutes, 16MM)
- Phillip Cappe CREAKING OF THE DOOR (1996, 8 Minutes, Video)
- Molly Donovan and Michael Vincent THE GRASS IS GREENER (2009, 17 Minutes, 8MM)
- Kuniharu Abe RESPONSE (2009, 20 Minutes, Video)
- Michael Borowiec DIRTY HANDS (2009, 23 Minutes, Video)
- Chandra Pemmaraju MAY BEETLE (2009, 25 Minutes, Video)
9:00PM NEWFILMMAKERS FEATURE PRESENTATION
A film crew is visiting the quaint Midwestern town of Centerville to film a piece about “small town politics”. Centerville is an amazing setting with its picture-perfect town square, “ma and pa” restaurants, 15 traffic lights, and friendly faces that say ‘hello’ as you pass them on the street. Unexpectedly, they encounter an astonishing change in the town's history. The mayor announces that he will not be running for re-election and instead they will elect their next mayor through a beauty pageant style event. Suddenly, Centerville becomes a place buzzing with enthusiasm as citizens embrace the idea, aspiring mayors throw their hats into the ring, and political campaigns are launched in anticipation of the Election Pageant.
In the public eye, the candidates are charismatic, engaging, and out to make great change. Behind closed doors, hidden cameras catch temper tantrums, back stabbing, and jockeying for attention as the Election Pageant approaches. The Election Pageant is reminiscent of an “American Idol” show with Jerry Springer as master of ceremonies and the audience armed with electronic voting devices. The candidates boldly fight it out in categories such as “Handshaking”, “Photo Op”, and “Talent” in front of a live audience. When Jerry announces “and the winner is”, things take an even more bizarre turn in this telling story of American politics.terms & conditions >
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